Not Used

Not Used

A breakthrough in the acquis Lars von Trier's miral film online tells Europe (or maybe not?) About a young an American of German descent, who comes to country of their ancestors after World War II to become the conductor of the train and thus contribute to the rebuilding of the devastated country. And that's basically beullaindeu ogladaj online all there is to know about the story, because ... Von Trier from the very beginning of his film earnestly trying to convince us that what we see is not happening. And it's not just about the palacowa intryga ogladaj online obvious and - truth be told - banal plot grip buckle closure hypnosis, but above all visible at first glance, the gap between form and content. More than one scene looks like the real actors are the imposition of archival photographs showing eg. The reconstruction of post-war devastation - notice that even the untrained eye. Undoubtedly, this indicates sophistication and subtlety authors go far beyond the initial, the aforementioned scheme. It does not sever formal layer of the payload huge, http://piatka-przyjaciol.zlektorem.pl unwieldy claws, but with a much finer tweezers (read: tricks realization) does not give us forget that all the time sitting comfortably in http://trojkat.zlektorem.pl front of the screen. Treatment interesting, especially that usually observe an opposite tendency - the creators do anything to drag us into a vortex of events, creating the illusion that they really participate in them. It was in formal virtuosity clearly marked by a distinct artistic director of non-return attention to trends, and concerned only the realization of their vision. At this point you could, dear reader, to ask, but how does this relate to Title Review? Well it seems that Europe will seek to achieve dialectical scheme thesis, antithesis and synthesis. Just in this case, let me start from the mold, so let's assume that this will be our thesis. Thus, the antithesis will be content that, as I mentioned, czasem snie ze latam online for nothing do not want to interact with the form. Linked to this is, unfortunately, a serious flaw wewnetrzna wojna online film: the inability to engage in people's fates, given by various filter, undermining the dramatic strength of stylistic means. The feeling of strangeness intensifies the ambiguity of the plot, which, in conjunction with the nieprzerwana akcja wing commander film online having no real emotions, for the less patient viewers can generalowie ogladaj online be a barrier impassable. Anyway, too, and you seasoned not necessarily have to persevere, because the specific nature of dialectics is that your explanation is only in combination of two opposing factors - many viewers certainly will write a movie at a loss before synthesis takes place, unable to find much sense in Europe . For it and the synthesis is carried out here late - in the last 15 minutes. Then samotny wilk mcquade online suddenly von Trier releases his characters (or rather moja wielka wsciekla rodzina online the hero), giving viewers a huge dose unseen by http://operacja-expo.zlektorem.pl one and a half hours of emotion, combining form with content and everything subordinating characters. It was then that reveals the essence of the image that is ultimately a story about the confrontation of individuals with history and thus approaching somewhat ancient classical drama, in which individuals are placed by fate only to the illusory choice and their decisions, and so is not significant . Here affects it even harder, because such a volte clearly tells the viewer: despite all the tricks, this is all really happening, this is the real drama of real people. Dialectic within the same plot (unit-story) complements here dialectic form-content, resulting in a final - quite rodzina ogladaj online unexpectedly - a message very consistent and satisfying. However, even the tedious process of investigation for the synthesis does not justify the ordinary boredom, which blight the viewer through most of the session. Because even though the idea of ​​the creator is at the end of the film clearly visible, yet it realized it could be better. Even if the end credits we want to reward the director a standing ovation for building design so intricate and well thought, we must remember that not so long ago, after barely held back from falling asleep. This is what prevents me from obwołaniem work of the Dane his memorable and amazing.

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